Since his initial rise to prominence on the national music scene, Les McCann has been a vessel overflowing with creative expression. First recognized for his soulful and dynamic piano playing in the early 60s, Les grew his audience with two hit tunes (“With These Hands”, “Compared to What”) in the latter part of the decade featuring his distinctive vocals. All along the way, he always kept a high quality camera nearby. Whether in a new city, hanging after a festival set or just heading out with friends, insiders welcomed Les into various circles and he often captured the mood of the moment with a candid image. Now in 2015, several of these prime images are collected for the first time in Les’ book, “Invitation to Openness,” a collection bearing the same title as his 1972 masterwork for Atlantic Records. As I spoke with Mr. McCann, he shared memories about many of the now legendary stars that are photographed in this book, some memories about the classic LP/CD, “Invitation,” and the sharpest wit and wisdom that you’re ever likely to hear. Enjoy.
JazzWatch #37 | Les McCann
by jazzwatch in JazzWatch Blog Posts, JazzWatch Podcast and tagged Alan Abrahams, album, Amazon, atlantic records, bam, band, black american music, Book, California, Camera, CD, Coffee Table Book, compared to what, concert, conversation, discussion, Eddie Harris, improv, improvisation, Indie, interview, Invitation to Openness, jazz, Kentucky, label, Les, les mccann, Lexington, long form, LP, Lyric Theater, manager, music, nashville, national music scene, New Orleans, new york, new york city, npr, Pacific Jazz, Pat Thomas, Photograph, Photographer, Photography, pianist, piano, Picures, podcast, quartet, Roberta Flack, Smalls, Smoke, Smoke Jazz Club, Soul Jazz, trio, University of Kentucky, usc, web series, webisode, With These Hands |
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