Ron Carter is a national treasure. His musical excellence has been a source of inspiration for many musicians and listeners throughout his 50 plus year career. As the most recorded bassist in jazz history, he has been featured alongside such masters as Miles Davis, Cannonball Adderley, Bobby Timmons, Aretha Franklin, Carmen McRae, B.B. King, A Tribe Called Quest, Jim Hall and Bill Frissel. He is a National Endowment of the Arts Jazz Master (1998), a Grammy Award Winner and a Distinguished Professor Emeritus at City College of NYC (2002). His Big Band, Foursight and Golden Striker ensembles continue to earn critical praise and popular acclaim, and his new foundation, Finding the Right Notes, advocates for arts access for the up and coming generation of music makers. http://www.roncarter.net
For well over 50 years, Bob Cranshaw’s blend of groove and swing have been part of the public consciousness. He’s recorded alongside such master musicians such as Sonny Rollins, Lee Morgan, Wes Montgomery, Stanley Turrentine, Bobby Hutcherson and Grant Green, and he’s been the house bassist for Sesame Street for over 40 years. In this interview, Mr. Cranshaw reflects on his career and his main idea/motivation for playing — to make an audience (and his fellow band mates) feel the groove. In addition to having been in the Sonny Rollins’ touring ensemble since 1959, Mr. Cranshaw is a frequent sit-in guest at Smoke Jazz Club‘s (NYC) Tuesday evening performances with Mike LeDonne’s Groover Quartet.
Pianist Harold Mabern is one of the true treasures of improvisational music. Born in Memphis, Tennessee and self taught as a pianist, he and his peers (George Coleman, Frank Strozier, Booker Little) developed rapidly. As he discusses in our chat, Mr. Mabern’s move to the city of Chicago after high school graduation further enhanced his pedigree. As the pianist for the MJT +3, his harmonic and rhythmic ideas were the ideal compliment to Walter Perkins and Bob Cranshaw. In this interview, Mabern speaks about these beginnings and his move to New York where he has remained a first call pianist for the last 50 years holding the piano chair with fellow luminaries such as Wes Montgomery, Miles Davis, J.J. Johnson, Lee Morgan, Freddie Hubbard and George Coleman. He began recording as a leader for Prestige Records in 1968, and his newest recording, “Afro Blue,” on the Smoke Sessions Label pairs his group with all-star vocalists Gregory Porter, Alexis Cole, Kurt Elling, Norah Jones and Jane Monheit. This CD promises to be a unique addition to his body of work and will help to further introduce him to a greater addition of listeners. Play on, Mr. Mabern!