Since the 1960’s, Billy Hart has been acknowledged as a truly brilliant force in the world of improvisational music. Through his experiences with master musicians such as Shirley Horn, Jimmy Smith, Eddie Harris, Miles Davis, and as a member of Herbie Hancock’s ground breaking Mwandishi band, Hart developed a distinct rhythmic, melodic and atmospheric perspective on the drums.
Most recently, Mr. Hart has joined together with recent standout players Mark Turner, Ethan Iverson and Ben Street to form a musical brotherhood based on the ultimate trust and freedom. Over the course of three critically acclaimed CD’s, the group tours the U.S. and abroad. This year (2016), Mr. Hart turns 75, and the wisdom of his beat continues to inspire countless musicians as an educator, master clinician and traveling musician. The fact that so many young musicians continue to learn from and seek out Mr. Hart is encouraging, and I was glad to speak with him for JazzWatch. I felt inspired after our conversation, and I trust that you will enjoy out chat.
Terence Blanchard is a jazz trumpeter, bandleader, composer, arranger, and film score composer.
Since Blanchard emerged on the scene in 1980 with the Lionel Hampton Orchestra and then shortly thereafter with Art Blakey and the Jazz Messengers, he has been a leading artist in jazz. He was an integral figure in the 1980’s jazz resurgence, having recorded several award-winning albums and having performed with the jazz elite.
He is known as a straight-ahead artist in the hard bop tradition but has recently developed an African-fusion style of playing that makes him unique from other trumpeters on the performance circuit. It is as a film composer that Blanchard reaches his widest audience. His trumpet can be heard on nearly fifty film scores; more than forty bear his compositional style.
Greg Bryant recently spoke with him about the release of his latest project, “Breathless” backstage at the Jazz Standard before his CD release show.
On today’s JazzWatch, Greg interviews legendary drummer Mike Clark. You may know him from his tenure with Herbie Hancock and the Headhunters, but he’s also put in time with Joe Henderson, Woody Shaw, Vince Guaraldi, Albert Collins and Jimmy Reed.
Mike discusses learning to play traditional jazz, blues, post-Bop in addition to being on of the innovators of linear funk drumming. Be on the lookout for his forthcoming CD with pianist Michael Wolff, and his new book with fellow drum icon, Lenny White.
After a long hiatus, we’d like to welcome our listeners back. Greg discusses some controversies brewing in jazz circles of late, and he recommends some old and new music that’s been on his mind. He caps off the episode with an interview with the one and only Brian Blade.