JazzWatch #59 | Alan Ferber

Grammy nominated trombonist, composer and educator, Alan Ferber’s new project, “Roots and Transitions” (Sunnyside) breaks new ground on a few levels. First, the songs on the CD examine his continued commitment to music through the lens of his role as a father. Secondly, it showcases a new process that involves composing the music first from the trombone, his primary instrument, as opposed to the piano. The results are not only exciting for the listeners, but Alan tells us that he is enjoying a new longevity and melodic focus in the compositions as well. He also shares his story about his evolution as a musician and as an artist. We had a great chat. Enjoy Alan Ferber on Jazzwatch!

http://www.alanferber.com

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JazzWatch #58 | Kenny Barron

We are proud to welcome pianist, arranger and educator Kenny Barron on Jazzwatch. Since his emergence on the national music scene in the early 1960’s, he has been the pianist of choice for such luminaries as Dizzy Gillespie, Philly Joe Jones, Roy Haynes, Stan Getz, Freddie Hubbard and many more. Honored as an NEA Jazz Master, Mr. Barron has continued to inspire global audiences with his melodically inventive and incredibly swinging approach to the piano. His new Impulse Records CD, “Book of Intuition,” is a magnificent trio program featuring his longtime unit with bassist Kiyoshi Kitagowa and drummer Johnathan Blake. This disc has already distinguished itself as one of the best of 2016. Mr. Barron will celebrate this new CD in a series of performances May 3-8 at The Jazz Standard in NYC. More info at jazzstandard.com and kennybarron.com.

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JazzWatch #51 | Orrin Evans

As one of the most prolific pianists today, Orrin Evans remains constant in his documentation of his growth and musical wisdom. His latest CD, “The Evolution of Oneself” places him in a premier trio context with drummer Kareem Riggins and bassist Christian McBride. The music swings, grooves and floats but always with a pulse. This album further captivates with a few surprises.  Evans’ youngest son produces a very captivating three-part interlude, “Genesis,” that is broken up over the course of the CD, while the surprising appearance of the Americana tune, “Wildwood Flower,” and Grover Washington Jr.’s, “A Secret Place” further demonstrates Evans’ ability to consistently shine through among the diversity of material and influences.

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JazzWatch #48 | Benny Golson

Composer, bandleader, saxophonist and NEA Jazz Master Benny Golson has established a legacy built on the pursuit of excellence. That excellence has also contributed to the legacy and careers of peers such as Art Farmer, Art Blakey & Lee Morgan while raising the bar among improvisers and composers for all generations that followed. His reputation as a true gentleman is equally renowned. Mr. Golson is a leading clinician and his current group featuring the rhythm section of drummer Carl Allen, bassist Buster Williams and pianist Mike LeDonne is a leading ensemble churning out the truest swing.  You wont find a more honest and pleasant soul as Mr. Golson, and it was a treasure to have a conversation with him for Jazzwatch. If you have not seen him in concert, please do so, and be on the lookout for a new CD from Mr. Golson in 2016.

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JazzWatch #47 | René Marie

Over the last fifteen years, vocalist and songwriter Rene Marie has risen to international and popular acclaim by sticking to her guns. As you’ll hear, Rene has fought hard to be where she is and it’s paying off. She was nominated for the 2014 “Best Jazz Vocal Album” Grammy award for “I Wanna Be Evil” – her trbute to the late Eartha Kitt. These days Rene is traveling the world with her group and is preparing to record a brand new CD of all original compositions. She advocates for vocalists and musicians to be themselves and to take their craft as seriously as possible. We hope that you enjoy our chat with Rene Marie.

http://www.renemarie.com

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JazzWatch #44 | George Cables

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Pianist George Cables is an amazing giant of the music. After decades of incredible on-the-bandstand experiences with legends such as Dexter Gordon, Freddie Hubbard, Art Blakey and Roy Haynes, Cables is now sought by fellow pianists and music lovers through his classic recordings, “Cables’ Vision” and “Phantom of the City.” His newest effort, “In Good Company” features longstanding trio collaborators, Essiet Essiet and Victor Lewis. Look no further for the personification of swing, musical wisdom and empathy. In our chat, Mr. Cables shares reflections on the new recording, piano peers, and his personal journey from a young musician and admirer of the music to his current status as an accomplished master of jazz and beyond.

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JazzWatch #43 | Terence Blanchard

Terence Blanchard  is a jazz trumpeter, bandleader, composer, arranger, and film score composer.

Since Blanchard emerged on the scene in 1980 with the Lionel Hampton Orchestra and then shortly thereafter with Art Blakey and the Jazz Messengers, he has been a leading artist in jazz. He was an integral figure in the 1980’s jazz resurgence, having recorded several award-winning albums and having performed with the jazz elite.

He is known as a straight-ahead artist in the hard bop tradition but has recently developed an African-fusion style of playing that makes him unique from other trumpeters on the performance circuit. It is as a film composer that Blanchard reaches his widest audience. His trumpet can be heard on nearly fifty film scores; more than forty bear his compositional style.

Greg Bryant recently spoke with him about the release of his latest project, “Breathless” backstage at the Jazz Standard before his CD release show.

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