Born in Detroit, saxophonist and composer JDAllen has risen to prominence through a string of critically acclaimed recordings featuring various ensembles. He’s also been featured as a dynamic sideman with acclaimed bandleaders such as George Cables, Cindy Blackman, Winard Harper, Lester Bowie and Betty Carter among others. His current trio with drummer Rudy Royston and bassist Gregg August displays their unique concept of songs within songs on their latest project, “Graffiti” for Savant Records. It was great to speak with JDAllen who’s an exciting improviser and is is a force for good in the continuing cause of advancing creative music.
As an improviser and composer saxophonist Dayna Stephens has risen to prominence due to his unique sound and conception. His collaborations with stellar musicians such as Ambrose Akinmusire, Brad Mehldau, Taylor Eigsti, Kenny Barron and Walter Smith III reveal a patient player comfortable among a wide variety of expressions. It was great to talk with Dayna about his life in and outside of the music. He also happened to be weeks away from a kidney transplant that has now been re-scheduled for late September. Although he says he’ll break from public playing for just a couple of months to recuperate, Dayna has an unmatched ethic and we’re anxious to see what he will reveal musically in the year ahead.
Alto saxophonist Rudresh Mahanthappa’s recording “Bird Calls” isn’t a tribute, but rather a “devotion” to the energy and spirit of Charlie Parker. His incredibly energetic quintet featuring pianist Matt Mitchell, bassist François Moutin, drummer Rudy Royston, and 20-year old trumpet prodigy Adam O’Farrill executes the project’s vision expertly— to play distinct, original compositions directly based on a Parker solo or composition that are never imitative. It seems as though it’s almost the perfect setting for Mahanthapa’s sound and conception. He’s blazing here. As “Bird Calls” is already earning critical praise, it should prove to be a landmark in Mahanthappa’s evolving catalog and career as he continues to earn diverse distinctions and acclaim from groups such as the Rockefeller Foundation, Downbeat Magazine, Doris Duke Foundation and Chamber Music of America.
Alto and soprano saxophonist Jaleel Shaw is a gifted band leader, educator and all-star sideman. Hearing Jaleel with the legendary Roy Haynes, the Mingus Big Band or as the front man in his critically acclaimed groups will reveal a player well-versed in tradition with a commitment and dedication to the present. In our conversation, Shaw shares with us his musical roots in Philadelphia, his evolution as a independent musician and how composition can be a foreshadowing of things to come. All three of his CDs as a leader have been praised critically and popularly. If you haven’t heard his latest, “The Soundtrack of Things To Come,” be sure to investigate it. It captures Shaw’s working quartet in several transcendent moments investigating the music at hand with an integrity that is not easily matched or attained.
NEA Jazz Master Lou Donaldson remains one of the foremost practitioners of swinging, feel-good groove music. He cut his teeth playing for original bebop jazz audiences as a sideman and bandleader appearing on the now classic, “A Night At Birdland” recording from 1954. For the next 20 plus years, Poppa Lou set out on his own to develop a touring route that would reach urban jazz audiences from New York to California. The crowd that he cultivated were major supporters and pushed records like “Blues Walk” and “Alligator Boogaloo” to radio and jukebox hits and best sellers. Several of his groovy tunes from the later 60’s and early 70’s saw new life as samples in Hip Hop productions by artists such as De La Soul, The Pharcyde, Mad Lib, Pete Rock and many more. Lou gave us some great wisdom in this conversation. Enjoy!
Dara Tucker has a voice that is equally memorable and refreshing. As she draws from gospel, singer-songwriter, soul and jazz artists both past and present, she’s been able to catch the ear and attention of noted artists such as Cassandra Wilson, Dr. Lonnie Smith and Charlie Hunter. Her original compositions found on “The Sun Season” uplift and celebrate the human spirit with an energy that is accessible to fans of jazz and beyond.
In perhaps his most prolific period, John Coltrane was documented several times at his probing best in 1965. The master saxophonist recorded no less than ten albums’ worth of material in that year alone. In this special edition of JazzWatch, Greg spotlights rare Coltrane Quartet performances from The Half Note in NYC (March 19, 1965) and at Seattle, Washington’s Penthouse (September 30, 1965). As the Half Note served as Coltrane’s New York “home” performance venue in the mid 60s, the latter date and location is notable for bringing us the recordings that were issued as Coltrane’s “Live in Seattle.”
If you haven’t heard of Tivon Pennicott yet, don’t worry. You will soon. Having amassed two Grammy wins for his work as a soloist on Gregory Porter’s “Be Good” and “Liquid Spirit,” and for performing with star musicians such as Kenny Burrell, Roy Hargrove, and Johnny O’Neal, Pennicott’s new record, “Lover of Nature” is poised to be one of the best new releases in jazz in quite some time. The young tenor discusses his formative years growing up in Georgia, his Jamaican heritage and his acclimation to the big-city jazz scene.
Today, we talk to legendary tenor and soprano saxophonist, Jimmy Heath. Jimmy is a National Endowment for the Arts Jazz Master who recently turned 88, and is in better form than ever. He recently released a brand new big band recording called, “Togetherness,” his first live big band CD, recorded at the Blue Note. For this interview, Jimmy preferred to focus on his newer material, but he eventually discussed a few memories from his legendary career.
His autobiography, called, I Walked with Giants, is a great read.
On today’s JazzWatch, Greg welcomes internationally-renowned saxophonist, Stacy Dillard. They discuss everything from Stacy’s early days in Muskegon Heights, Michigan to his work as an in-demand sideman, to the 3 bands he fronts. We also listen to some samples of Stacy’s work.