We are proud to welcome pianist, arranger and educator Kenny Barron on Jazzwatch. Since his emergence on the national music scene in the early 1960’s, he has been the pianist of choice for such luminaries as Dizzy Gillespie, Philly Joe Jones, Roy Haynes, Stan Getz, Freddie Hubbard and many more. Honored as an NEA Jazz Master, Mr. Barron has continued to inspire global audiences with his melodically inventive and incredibly swinging approach to the piano. His new Impulse Records CD, “Book of Intuition,” is a magnificent trio program featuring his longtime unit with bassist Kiyoshi Kitagowa and drummer Johnathan Blake. This disc has already distinguished itself as one of the best of 2016. Mr. Barron will celebrate this new CD in a series of performances May 3-8 at The Jazz Standard in NYC. More info at jazzstandard.com and kennybarron.com.
Peter Erskine is one of the great drummers of our time. Most recently, he has shared his amazing personal collection of live and unreleased material from his tenure with one of music’s greatest groups, Weather Report. Released at the end of 2015, “The Legendary Live Tapes 1978-1981” features four discs of pure excellence. Not only do we further experience the brilliance of Joe Zawinul, Wayne Shorter, Jaco Pastorius and Bobby Thomas, but we hear an energy from Mr. Erskine’s drums that linked tradition to the future.
He isn’t slowing down anytime soon. Peter Erskine has just released “Dr. Um”, a new project featuring the exceptional talents of John Beasley, Janek Gwizdala, Jeff Parker and Bob Sheppard that is sure to satisfy lovers of groove and swing. It’s a wonderfully eclectic project that suggests where Erskine-era Weather Report might have gone if they were around today. Get hip and give a listen to our chat with the great Peter Erskine.
As one of the most prolific pianists today, Orrin Evans remains constant in his documentation of his growth and musical wisdom. His latest CD, “The Evolution of Oneself” places him in a premier trio context with drummer Kareem Riggins and bassist Christian McBride. The music swings, grooves and floats but always with a pulse. This album further captivates with a few surprises. Evans’ youngest son produces a very captivating three-part interlude, “Genesis,” that is broken up over the course of the CD, while the surprising appearance of the Americana tune, “Wildwood Flower,” and Grover Washington Jr.’s, “A Secret Place” further demonstrates Evans’ ability to consistently shine through among the diversity of material and influences.
Over the last fifteen years, vocalist and songwriter Rene Marie has risen to international and popular acclaim by sticking to her guns. As you’ll hear, Rene has fought hard to be where she is and it’s paying off. She was nominated for the 2014 “Best Jazz Vocal Album” Grammy award for “I Wanna Be Evil” – her trbute to the late Eartha Kitt. These days Rene is traveling the world with her group and is preparing to record a brand new CD of all original compositions. She advocates for vocalists and musicians to be themselves and to take their craft as seriously as possible. We hope that you enjoy our chat with Rene Marie.
Grammy Award Winning vocalist Cassandra Wilson continues to inspire audiences in live performance and on her latest CD, “Coming Forth By Day.” Wilson’s distinctive aura, the synergy of her band and producer Nick Launay guide listeners through a moving devotion to the great Billie Holiday. The genre-less approach to noted Great American Songbook (GAS) classics that Holiday favored is firmly in the tradition of Wilson’s conception. She’s broken numerous barriers for the current generation of artists with regard to the types of tunes that can be covered beyond the standards, but when the material steers toward the classics found on “Coming Forth”, Wilson and company shape the arrangements in the moment and keep their ears in the present with an eye toward the future. In our conversation, Cassandra shares some insight into the making of the record, reflects on key members of her touring band and shares some wisdom with us that she gained along the way.
Pianist Harold Mabern is one of the true treasures of improvisational music. Born in Memphis, Tennessee and self taught as a pianist, he and his peers (George Coleman, Frank Strozier, Booker Little) developed rapidly. As he discusses in our chat, Mr. Mabern’s move to the city of Chicago after high school graduation further enhanced his pedigree. As the pianist for the MJT +3, his harmonic and rhythmic ideas were the ideal compliment to Walter Perkins and Bob Cranshaw. In this interview, Mabern speaks about these beginnings and his move to New York where he has remained a first call pianist for the last 50 years holding the piano chair with fellow luminaries such as Wes Montgomery, Miles Davis, J.J. Johnson, Lee Morgan, Freddie Hubbard and George Coleman. He began recording as a leader for Prestige Records in 1968, and his newest recording, “Afro Blue,” on the Smoke Sessions Label pairs his group with all-star vocalists Gregory Porter, Alexis Cole, Kurt Elling, Norah Jones and Jane Monheit. This CD promises to be a unique addition to his body of work and will help to further introduce him to a greater addition of listeners. Play on, Mr. Mabern!
Since his initial rise to prominence on the national music scene, Les McCann has been a vessel overflowing with creative expression. First recognized for his soulful and dynamic piano playing in the early 60s, Les grew his audience with two hit tunes (“With These Hands”, “Compared to What”) in the latter part of the decade featuring his distinctive vocals. All along the way, he always kept a high quality camera nearby. Whether in a new city, hanging after a festival set or just heading out with friends, insiders welcomed Les into various circles and he often captured the mood of the moment with a candid image. Now in 2015, several of these prime images are collected for the first time in Les’ book, “Invitation to Openness,” a collection bearing the same title as his 1972 masterwork for Atlantic Records. As I spoke with Mr. McCann, he shared memories about many of the now legendary stars that are photographed in this book, some memories about the classic LP/CD, “Invitation,” and the sharpest wit and wisdom that you’re ever likely to hear. Enjoy.
Gerald Clayton has earned a unique place among the current generation of pianists and composers. He’s equally versed in the rich tradition of jazz as well as its modern sounds and explorations. Not only has Clayton been called upon to perform with father John and uncle Jeff Clayton in their award-winning ensembles, he’s also been featured with a diverse array of A-list bandleaders such as vocalist Gretchen Parlato, drummer Gregory Hutchinson, trumpeter Roy Hargrove and saxophonist Charles Lloyd. Clayton’s trio and expanded ensembles have been featured over three acclaimed releases (Two-Shade, Bond and Life Force) and he has enjoyed leading these ensembles in tours across the U.S. and abroad. He spoke with us about his growth and development in the music while imparting some wisdom about sharing improvisational music with new listeners.
Drummer Roy McCurdy has proven to be the man for the job for a who’s who of music legends such as Cannonball Adderley, Nancy Wilson, Sonny Rollins, Ella Fitzgerald, Sarah Vaughan and others. He’s been a part of the changing musical landscape since his emergence on the scene in the early 60’s. He continues to train a new generation of instrumentalists. He discusses his tenure in the Adderley group, how Sonny Rollins helped him build his endurance and how he accompanied some of the most legendary jazz singers to ever grace the stage.