Pianist George Cables is an amazing giant of the music. After decades of incredible on-the-bandstand experiences with legends such as Dexter Gordon, Freddie Hubbard, Art Blakey and Roy Haynes, Cables is now sought by fellow pianists and music lovers through his classic recordings, “Cables’ Vision” and “Phantom of the City.” His newest effort, “In Good Company” features longstanding trio collaborators, Essiet Essiet and Victor Lewis. Look no further for the personification of swing, musical wisdom and empathy. In our chat, Mr. Cables shares reflections on the new recording, piano peers, and his personal journey from a young musician and admirer of the music to his current status as an accomplished master of jazz and beyond.
NEA Jazz Master Lou Donaldson remains one of the foremost practitioners of swinging, feel-good groove music. He cut his teeth playing for original bebop jazz audiences as a sideman and bandleader appearing on the now classic, “A Night At Birdland” recording from 1954. For the next 20 plus years, Poppa Lou set out on his own to develop a touring route that would reach urban jazz audiences from New York to California. The crowd that he cultivated were major supporters and pushed records like “Blues Walk” and “Alligator Boogaloo” to radio and jukebox hits and best sellers. Several of his groovy tunes from the later 60’s and early 70’s saw new life as samples in Hip Hop productions by artists such as De La Soul, The Pharcyde, Mad Lib, Pete Rock and many more. Lou gave us some great wisdom in this conversation. Enjoy!